HKSPK – Reviews & Pressestimmen

Reviews & Pressestimmen

Auswahl an Reviews, Interviews und Feedback zu HKSPK. Danke an alle Magazine, Blogs & Supporter!

📰 Reviews & Interviews

Ausführliche Review & Interview inkl. Track auf dem LEGACY‑Sampler #158 („Nocturnal Beheading“). Bewertung: 12 Punkte. Die Review beschreibt ein „Black‑Metal‑Gewitter mit markanten Death‑Metal‑Anleihen“, lobt die klare, wuchtige Produktion („jedes Riff schneidet, jedes Schlagzeugdetail drückt“) und betont: „HKSPK besitzen schlicht zu viel musikalisches Talent, um belächelt zu werden.“ Im Interview („HKSPK – Black‑ & Death‑Metal mit Augenzwinkern, aber viel Talent“) spricht die Band über Humor, Ernst und DIY‑Ethos.
  • Review + Kurzfazit: „Nocturnal Beheading“ ist ein Statement: wild, ehrlich, voller Potenzial.
  • Empfehlung: „Diese Truppe gehört gefördert – und zwar so schnell wie möglich.“
Quelle: LEGACY #158 (Print & Sampler).
Zur Website
Headbangers News (Brasilien)

Artikel zur Single Nocturnal Beheading: blackened Death‑Metal aus Deutschland, scharf geschnittene Riffs, kompromisslose Energie, rohe Produktion – deutliche Empfehlung im brasilianischen Metal‑Magazin.

Zum Artikel
SLAM Magazin #142 (Deutschland)

Print‑Review (Rubrik „Diskothek“) zur EP The Human Butcher. Bewertung: 8/10. Kurzfazit: kurz, roh, böse, böllernd und maximal DIY – starke Erwähnung in der Printausgabe.

Quelle: SLAM Magazin #142 (Print, Oktober 2025)
Os Garotos de Liverpool (Brasilien)

Beitrag über Nocturnal Beheading: „riffs afiados“ (messerscharfe Riffs), präsenter Bass und harsche Growls; thematisch konfrontativ – starker Underground‑Auftritt in BR‑Medien.

Zum Artikel
MangoWave Magazine – Flashlight #038 (International)

Kurzreview in der „Flashlight“-Reihe: Nocturnal Beheading als „eisiger Black‑Metal‑Blizzard“ mit deutlichen Death‑Einschlägen; 90er‑Vibe, moderne Wucht.

Zum Review
Indiefferential Magazine (International)

Umfangreiches Print‑Feature „HKSPK: Forging Chaos in the Underground“: zeichnet Werdegang, DIY‑Ethos und den Sound von The Human Butcher nach; betont Authentizität, Präzision und Live‑Wucht. Erwähnt LEGACY #158 (12 Punkte) und Festival‑Slots. (Print – kein Online‑Link)

Music For All (Brasilien)

News zu Nocturnal Beheading als Vorab‑Track der EP The Human Butcher; Fokus auf den Release und die Reichweite der Band in Brasilien.

Zum Artikel
Eat This Metal (Blog)

„Song of the Day“: Nocturnal Beheading als Tipp des Tages – kompromissloser Black/Death‑Schlag mit starkem Groove.

Zum Beitrag
YouTube: Atento a Música Media (USA, spanischsprachig)

Feature‑Clip: „HKSPK – la fuerza emergente de Brandeburgo en el black/death metal“. Kurzportrait & Hörhinweis.

Zum Feature
Instagram Feature (Indonesien)

„Sound mentah, tajam, dan brutal khas HKSPK kini hadir lewat EP The Human Butcher. Single „Nocturnal Beheading“ als Szene‑Tipp. 🔥“

Zum Post
Sinusoidal Music (Indien)

Review zu „Nocturnal Beheading“: bissige, eingängige Riffs; ritualistisch, gewalttätig, zugleich geordnet – klassischer Black‑Vibe mit Death‑Crunch.

Zum Review
Metal Planet Media (UK)

Review zu „Nocturnal Beheading“ – düster, brachial, kompromisslos.

Zum Review
Underground Extremo (Mexiko)

Mundo Underground #179 – Feature zur EP The Human Butcher.

Zum Artikel
Rockear (Kolumbien)

Feature: „Desde Alemania, la banda de metal HKSPK“ – Bandvorstellung in Kolumbien.

Zum Artikel
Lelahel Metal (Algerien)

Interview zu The Human Butcher & Underground‑Szene.

Zum Interview
Occult Black Metal Zine (USA)

Review der EP The Human Butcher: roh, authentisch, kompromissloser Black/Death.

Zum Review
Metalperver (Türkei)

Weekly Picks: HKSPK als Szene‑Highlight.

Zum Beitrag
Fatal Underground (Deutschland)

Review: The Human Butcher – kompromissloser Sound, energiegeladene Live‑Attitüde.

Zum Review
Heavy Mag (Australien)

Bandportrait & Songfeature „Zur letzten Rauhnacht“ – düsterer Black/Death aus Brandenburg.

Zum Artikel
Hellfire Magazin (Deutschland)

Bandvorstellung: HKSPK mit der aktuellen EP The Human Butcher (2025).

Zum Artikel
Whiskey‑Soda.de (Deutschland)

Review: Eigenständiger Black/Death‑Vibe – „Nominal‑Kompositum mit Spaßgarantie“.

Zum Review
MetalJunkbox (Brasilien)

Review: „Zur letzten Rauhnacht“ – rohe Energie & dunkle Melodien.

Zum Review
Metalperver (Türkei)

Weekly Picks: „Zur letzten Rauhnacht“ als Underground‑Highlight.

Zum Beitrag
Lyrical Odyssey (USA)

Review: „Zur letzten Rauhnacht“ – gothic‑angehauchter Black/Death mit massiven Riffs.

Zum Review
Uphere Magazine (Kanada)

Review: „Zur letzten Rauhnacht“ – düster, roh & energiegeladen. Empfehlung für Black‑Fans.

Zum Review
Zillions Magazine (USA)

Review: „Zur letzten Rauhnacht“ – dunkel, roh, energiegeladen. Starkes Underground‑Statement.

Zum Review
YouHearUs (USA)

Feature: „Zur letzten Rauhnacht“ – roh, kalt und direkt aus Brandenburg.

Zum Artikel

💬 Feedback

Gustahill

Feedback zu „Torture“: extrem aggressiver, kompromissloser Black-Metal-Sound mit starkem Underground-Charakter; sehr ausgewogene Instrumentierung und klar erkennbare eigene Identität.

Darren – Loud Enough Magazine (UK)

Feedback zu „Torture“: tense, nightmarish Black/Death Metal with blast beats, blackened buzz-saw riffing, screamed vocals and plenty of attitude. Scheduled social media feature.

Frecuencia Alternativa

Feedback zu „Torture“: unique tones and innovative harmonies with exceptional production quality. Selected for Descubrimientos de Xonny – Enero 2026.

Rockandwrestling.com

Feedback zu „Torture“: energizing track with strong impact; confirmed publication on website and social media.

Renato Melo – O Cara dos Discos

Feedback zu „Torture“: fast, urgent and heavy; strong balance between cadence and speed. Recommendation confirmed.

Electric Funeral Records

Feedback zu „Torture“: great track; strong overall impression. Invitation to submit the Spotify link upon release for playlist inclusion.

Gaijinphotos

Feedback zu „Torture“: aggressive mix with clear Black/Death Metal influences; strong stylistic identity aimed at old-school audiences. Authentic and uncompromising.

Rox Slinger

Feedback zu „Torture“: strong atmosphere, fitting vocals and solid composition; not a personal fit for sharing, but craftsmanship and talent clearly acknowledged.

Pal’ Toque

Feedback zu „Torture“: very positive response; article confirmed after delivery of press photos and cover artwork.

Ivorytower Records

Feedback zu „Torture“: cool track with a clear artistic direction; exactly the sound they are looking for. Open for future unreleased material.

MANAGARM Productions

Feedback zu „Torture“: raw and powerful Black Metal with heavy production and strong underground energy. Invitation to add the track to the Best of Underground Spotify playlist after release.

Let’s Rock

Feedback zu „Torture“: crazy work with a cool, raw sound; standout rhythm guitars and fantastic drum performance. Playlist inclusion confirmed.

Grande Rock

Feedback zu „Torture“: classic Black Metal with Death Metal influences; fast, heavy riffs and blackened vocals. Raw production fits the genre; abrupt ending noted.

Rubia

Feedback zu „Torture“: crushing intro with powerful riffs and driving drums; sharp, aggressive Black/Death Metal with excellent production quality. Short runtime increases replay value; intense final section.

Roqueiro Nerd

Feedback zu „Torture“: visceral and raw energy with punk/hardcore influences; direct production, expressive vocals and strong rhythmic foundation. Instagram story feature confirmed.

Underground Extremo

Feedback zu „Torture“: confirmed coverage after release; inclusion in yearly release list, website feature and playlist placement.

Metal Madness Weekly

Feedback zu „Torture“: powerful riffs, charismatic vocals and professional sound. Feature confirmed on Apple Podcasts, YouTube playlists, Spotify playlists and Instagram stories.

Metal Madness Weekly

Feedback zu „Torture“: powerful guitar riffs, charismatic vocals and a highly professional sound. Featured on the Metal Madness Weekly podcast (Apple Podcasts), added to multiple YouTube playlists and shared via Instagram Stories.

Sherwood Magazine

Feedback zu „Torture“: solid and brutal Death Metal with messy, lo-fi production; clattering drums and harrowing vocals. Raw energy praised.

Sherwood Magazine

Feedback zu „Torture“: solid and brutal death metal with deliberately messy production. Clattering drums, harrowing vocals and unhinged energy; lo-fi approach perceived as refreshing.

GigRadar (UK)

Feedback zu „Torture“: very positive first impression. Article and short written interview about the band confirmed.

Metalhead Mel

Feedback zu „Torture“: immediately captivating energy with strong instrumentation and well-matched vocal tone. Dynamic tempo changes praised; wish for a longer runtime expressed.

Rodrigo D’Salles Monteiro – Musikorama

Feedback zu „Torture“: atmospheric and traditionally rooted Black Metal with strong aesthetic coherence. Well executed and effective within the extreme underground; recommendation for niche-focused outlets and additional visual content to expand reach.

Saint Metal

Feedback zu „Torture“: cold and oppressive atmosphere driven by a mechanical, restrained rhythm. Minimalistic yet disturbing; the track relies on psychological pressure rather than melody and leaves a lasting impression.

Lelahel Metal

Feedback zu „Torture“: fierce Black/Death Metal assault with strong dynamics between melodic opening and explosive riffing. Fast tempos, sharp guitar work and piercing screams deliver an energetic and sincere performance.

Zone Nights

Feedback zu „Torture“: blog feature confirmed alongside playlist placement and additional social-media promotion. Coverage announced in Spanish.

René – Time For Metal (DE)

Feedback zu „Torture“: short but highly energetic sequence with a modern sound; powerful hooks that remain memorable despite the brief runtime. News publication confirmed.

Porque Metal

Feedback zu „Torture“: intense, fast and angry track with a crushing main riff, strong guitar tone and dense atmosphere. Scheduled for social-media sharing.

CeciOn de Metal

Feedback zu „Torture“: absolutely brutal and high-quality release; raw, focused and uncompromising from start to finish. Feature confirmed on Bandas al Contacto and Instagram.

Web Rádio Rock Roll Old School

Feedback zu „Torture“: fast, heavy and uncompromising metal with raw vocals and a direct, precise sound. Radio broadcast and article confirmed.

Thriller

Feedback zu „Torture“: selected for the Saturday Night Pulse Spotify playlist; praised for its energy and aggression.

The Howll

Feedback zu „Torture“: brutally intense with insane riffs and raw-as-hell vocals. Instagram story feature confirmed.

Doublecast Podcast

Feedback zu „Torture“: a short, dry punch of raw aggressive brutality; highly appealing to fans of extreme music.

Rockear (Colombia)

Feedback zu „Torture“: erneute Empfehlung und Review im bestehenden Band-Feature. Positives Echo auf die Weiterentwicklung der Band und Vertrauen aufgrund früherer Zusammenarbeit.

La Hora del Terrock (Radio & Webzine)

Feedback zu „Torture“: Zusage für Radio-Ausstrahlung sowie Aufnahme in thematische Spotify-Playlists und Veröffentlichung im Webzine nach Bereitstellung des Press-Materials.

Metal Institute of Thrashology

Feedback zu „Torture“: starke Gitarrenarbeit mit groovendem Low-End und passender Produktion. Die kurze Spielzeit steigert den Wiederhörwert deutlich. Playlist-Aufnahme nach Veröffentlichung in Aussicht gestellt.

Roadie Metal (Brazil)

Feedback zu „Torture“: simply insane and brutal; perfect balance of power and heaviness. Included in the Metal on the World playlist.

JC – Papo Metal (Brazil)

Feedback zu „Torture“: amazing riffs and very powerful arrangements. Article published on Papo Metal.

OPSAT (Playlist Curator)

Feedback zu „Torture“: awesome intense style with excellent vocals and raw production. Declined due to a focus on more technical death metal for the playlist.

Adamlyt (Playlist Curator)

Feedback zu „Torture“: “Awesome track like always.” Particularly praised for its almost punk-like energy and drive.

Coe Hill (Playlist Curator)

Feedback zu „Torture“: perceived as chaotic and very busy; curator prefers more melody and dynamics. Rejection based on personal taste rather than quality.

taylorbryantisjustdust (Playlist Curator)

Feedback zu „Torture“: strong individual parts; engineering and mix could use refinement. Curator expressed interest in receiving more songs.

New Metal Songs (Playlist Curator)

Feedback zu „Torture“: confirmed placement in a curated Spotify playlist focused on current heavy and extreme metal releases.

Metalperver (Turkey)

Feedback zu „Torture“: strong resonance including a blog feature, playlist placement and additional social-media support.

Faeton Music Blog (Ukraine)

Feedback zu „Torture“: solid and raw black metal composition with a good mix. Criticism based on personal preference for longer song formats.

Heavywave (Blog)

Feedback zu „Torture“: dark and gritty sound with a sharp edge. Composition perceived as not fully developed but appreciated for its rawness.

MAGEFAMETAL (International)

Feedback zu „Torture“: very positive response; the track was shared via Spotify playlist and YouTube.

SPNZ (Playlist Curator)

Feedback zu „Torture“: impressive composition with skillful and melodic instrumentation; vocals described as extremely intense and genre-defining.

Improvisando Radio (Colombia)

„Nocturnal Beheading“: very powerful and dark atmosphere; sound perceived as dense and intense, slightly too compact for the radio format.

Faeton Music Blog (Ukraine)

„Nocturnal Beheading“: solid Black Metal track with a raw edge; considered slightly too melodic for the blog’s editorial focus.

Filhos do Metal (Brazil)

„Zur letzten Rauhnacht“: dense, raw and fast with striking riffs; confident and uncompromising delivery.

Kickdrum Magazin (Germany)

„Zur letzten Rauhnacht“: recommended and featured via Instagram story.

Grungecake (USA)

„Zur letzten Rauhnacht“: emotional, powerful and inspiring with strong instrumental performance.

Hard Rock Station (USA)

„Zur letzten Rauhnacht“: heavily distorted but well executed; interest in further material expressed.

VDevine (Germany)

„Zur letzten Rauhnacht“: atmosphere and intent clearly conveyed; genre preference noted, wishes for success expressed.

René – Time For Metal (Germany)

„Zur letzten Rauhnacht“: raw and old-school approach with Death and Black Metal influences; effective and authentic.

Chris Margoth (Germany)

„Zur letzten Rauhnacht“: cool tune with solid instrumentals, vocals and a coherent mix.

Andreas Schiffmann (Germany)

„Zur letzten Rauhnacht“: short but encouraging feedback — “Keep up the good work.”